Says Sidonie, Harry is to William as “Margaret to the queen. “William is still William, but we know what happens to Harry, so we make him a little bit more subversive,” says Amy, complete with baggy T-shirts and armfuls of beads. When the boys age into young men for the second half of season six-when they’re played by Ed McVey as William and Luther Ford as Harry-their fashion sense evolves accordingly. “More so than the revenge dress, more so than Aberfan even, because of the sensitivity of the nature of that.” The outfits were made with precision to mirror the real ensembles “so that all the focus was where it needed to be,” she adds. “Over the course of the four seasons that we’ve done, I felt the most duty bound to do that accurately,” says Amy. It was recreating the outfits that Princess Diana ( Elizabeth Debicki) and Dodi Fayed ( Khalid Abdalla) were wearing on August 31, 1997, when they died in a car crash. The duo, who won an outstanding-period-costumes Emmy for season three and were nominated each following season, leaned on this mantra when faced with their most daunting design to date. “I don’t think at any point I’ve sat there and looked at our work and gone, ‘Oh, it looks like a costume, it looks like a caricature,’ which it so easily could be with people like Mohamed Al-Fayed-a parody of something,” Sidonie says during a recent Zoom with both designers. That means delving into more than history books to dress the Windsor family-outfits have been inspired by everything from Lucian Freud paintings to Miu Miu campaigns.

In the four seasons they’ve worked on the show, Amy and Sidonie made a promise of their own: “Clothes, not costumes.” Making vows-to God, to country, to staying married even if miserable-are kind of a thing on The Crown, which debuts the first part of its final season on November 16. Costume designers Amy and Sidonie Roberts would know: On Netflix’s award-winning series, they’re the ones tasked with placing it there.

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Diana lights out costume